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Learn Photoshop the fast and easy way

Because the Clone Stamp’s function is to subtly replace one area of pixels with another, you don’t need its brush tip to be shaped like a rubber duck, for example! However you can use the Brush Preset picker to arm yourself with a variety of creatively-shaped brushes, should your project require them. Working smarter with the Brush Preset picker means maximising its potential. If you’re not already familiar with this interface.

Making custom brushes is one of the easiest things in the world. Seriously! I don’t know why I’ve read some tutorials that make it out to be this multi-step, intimidating process. Creating your own brushes helps to customize both your artwork and the Photoshop work environment. The Hard Part: “But … you said this would be easy!!” Technically, yes, but I’ve found that some people actually reach a little stumbling block when trying to think of what would make a good brush. Well, the short answer is ANYTHING! I’ve made brushes out of fuzzy leopard slippers, bananas, old trash cans, fabric swatches, dirt … hundreds of things. It helps to have a scanner and/or a digital camera … that really opens up your possibilities. Just a quick walk around your house might yield dozens of fun textures you can make brushes out of. But, even if you don’t have either of those, you can often snurch some good textures off the internet. Try a google search for marble tile and see what comes up. Sometimes you’ll get a nice big image to work with. I’m not condoning stealing someone’s art photos to rip a brush off with, but if it’s just a sample photo of tile, or fabric, or screen, or whatever, I think it’s perfectly fine … you’ll be drastically changing the image in the next steps anyway.

To demonstrate the way the interface changes as you use it, try selecting the type tool from the toolbox (the one that looks like a capital T). You will see straight away that the toolbar changes entirely to allow you to set font name, font size and so on. In the history palette, your use of the type tool will be added to your history, and a new layer will be created for your text and shown in the layers palette.

The problem with many of these applications is that they use pre designed templates which the user pieces together to form logos that really are not that original and sometimes appear a little generic. While these applications allow the user to quickly begin creating graphic designs and logos they often simply do not produce designs that are original and in demand by web design clients. If you take the time to learn adobe Photoshop there will be no limit to the logos and graphic designs you can put together. Although the interface can seem a little overwhelming at first, learning Photoshop is not difficult if you have the right tools and take the time to practice.

The other benefit of using Photoshop to fix your old photographs it that you can work in layers. The layers function ensures that you won’t waste an hours work with one little mistake. As you work your photograph you can save each new change as a new layer. If you mess up simply delete that layer and try again. Photo restoration requires patience and attention to detail. Only Adobe Photoshop has the tools to do a quality job restoring your old photographs. Learn Photoshop now and start bringing those old photographs to new life.

Customers get to proof their enhanced images in online private galleries, with web links, user names and passwords sent by e-mail, before deciding whether to purchase. Enhanced images are available for immediate download after secure online purchase through Roman Cart. No money up front and no obligation to buy — that’s how confident Caledonian Digital is in their ability to deliver.

News photographers routinely process images using Adobe Photoshop software. But there has been a basic premise in the world of photojournalism that what was allowed in making prints in the pre-digital days of darkrooms is all that is acceptable today. Back in the days of the darkroom, we used very basic tools to develop prints. In black and white printing, the contrast of a picture was controlled by a paper’s grade. The higher the number of the paper, the higher the contrast. In the wire agency darkooms I’ve worked in, we typically used grades 3,4 and 5. We allowed “dodge and burn” to lighten or darken areas. A dodge tool was made by taping a small piece of cardboard the size of a quarter onto a paper clip. A burn tool was a piece of cardboard the size of an 810 sheet of paper with a hole in the center.

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